Portrait of French art dealer Abraham Fontanel by Joseph Siffred Duplessis. This painting reveals details of the shirt which is the primary focus here. He also wears a civilian waistcoat with covered buttons that blends in against the shirt.
Source: OpenEdition Journals, original in the Musée Fabre, France
https://journals.openedition.org/insitu/29088?lang=en
https://commons.wikimedia.org/wiki/Category:Abraham_Fontanel
Painted by Dutch artist Jan Ekels the Younger. Shows details of the back and partially reflected front of the shirt. Stockings are also shown.
Source: Rijksmuseum
Above Left:
Above Right: A Scene from "Love in a Village". Painted by German artist Johann Zoffany in 1767.
Shirt & Stockings 1750-1800
Warley Camp: The Mock Attack signed by Philip James de Loutherbourg and dated 1779.
Source: Royal Collection Trust, UK
https://www.rct.uk/collection/406348/warley-camp-the-mock-attack
Detail from a painting of the 25th Regiment of Foot on parade in 'Menorca' by Giuseppe Chiesa. A fifer (left) and Drum Major (right).
Source: The National Army Museum, UK
Detail from a painting of the 25th Regiment of Foot in 'Menorca' by Giuseppe Chiesa. A fifer (left) and piper (right) and possibly another musician in the center background.
Source: The National Army Museum, UK
Painting of the Dublin Volunteers on College Green, Dublin by Francis Wheatley, 1779.
Source: National Gallery of Ireland
Drawing of a standing figure of a young man by Paul Sandby, undated.
Source: Yale Center for British Art
A link to the full set of 15 sketches by Philip James de Loutherbourg in 1778 for his Warley Camp paintings held in the Brown Univeristy Library, of which, a selection follows below.
2nd of 15 original unsigned pencil and ink drawings attributed to Philip James de Loutherbourg for his Warley Camp paintings.
Source: Brown Digital Repository
https://repository.library.brown.edu/studio/item/bdr:235679/
5th of 15 original unsigned pencil and ink drawings attributed to Philip James de Loutherbourg for his Warley Camp paintings.
Source: Brown Digital Repository
https://repository.library.brown.edu/studio/item/bdr:235678/
6th of 15 original unsigned pencil and ink drawings attributed to Philip James de Loutherbourg for his Warley Camp paintings.
Source: Brown Digital Repository
https://repository.library.brown.edu/studio/item/bdr:235672/
12th of 15 original unsigned pencil and ink drawings attributed to Philip James de Loutherbourg for his Warley Camp paintings.
Source: Brown Digital Repository
https://repository.library.brown.edu/studio/item/bdr:235669/
4th of 15 original unsigned pencil and ink drawings attributed to Philip James de Loutherbourg for his Warley Camp paintings.
Source: Brown Digital Repository
https://repository.library.brown.edu/studio/item/bdr:235667/
8th of 15 original unsigned pencil and ink drawings attributed to Philip James de Loutherbourg for his Warley Camp paintings.
Source: Brown Digital Repository
https://repository.library.brown.edu/studio/item/bdr:235670/
7th of 15 original unsigned pencil and ink drawings attributed to Philip James de Loutherbourg for his Warley Camp paintings.
Source: Brown Digital Repository
https://repository.library.brown.edu/studio/item/bdr:235680/
1st of 15 original unsigned pencil and ink drawings attributed to Philip James de Loutherbourg for his Warley Camp paintings.
Source: Brown Digital Repository
https://repository.library.brown.edu/studio/item/bdr:235676/
View from a height overlooking the gardens towards the East, soldiers of the York Regiment within an enclosure.
The encampment of the 2nd West Yorkshire Militia outside Montagu House, the British Museum, by Samuel Grimm in 1780.
Source: Royal Collection Trust (above)
Source: The British Museum (left)
https://www.britishmuseum.org/collection/object/P_1984-0512-4
The following is an excerpt from The Re-illuminated School of Mars, a website focused on Auxiliary forces from the mid-18th century to the end of the Napoleonic period.
Second embodiment 1778-83
The Second, like the First, was re-embodied in March 1778, during the American War, and disembodied in 1783. Colonel Thornton died in 1769 and the command passed to Col Stanhope Harvey. During this period the West Riding’s militia precedence numbers were – 1778-79: 4. 1779-80: 1. 1780-81: 27. 1781-82: 26. 1782-83: 28.
The regiment was at the Coxheath encampment of 1778, and during the Gordon Riots emergency of 1780, it was camped in London at Montagu House in Bloomsbury, London – the site of the first location of the British Museum – and then at Blackheath. In 1782 it was encamped at Harwich. A plan of the Coxheath camp, and plans by Paterson of the London, Blackheath and Harwich camps all colour the facings as mid to light green, as confirmed by other sources. The Osborn militia book of 1780 (Carman, 1958) shows buttons set in pairs, confirmed in other sources, but also gives yellow facings. Since other sources firmly indicate yellow from 1799 only, this has to be a mis-colouring for light green.
Several views are known of the Montagu House camp, by Samuel Hieronymus Grimm and Paul Sandby, and these provide some useful visual evidence, as analysed below.
Officers
Parkyn cites a Militia List of 1778 as giving green facings and silver lace for officers. Two pen and watercolour drawings by S H Grimm of views of the regiment at Montagu House in June 1780 are in the Royal Collection (RCIN 916601-02, Miller & Dawnay 193-94, plates 137-38); these include small figures of officers. The full drawings are online here and here [links to the Royal Collection Trust]. (A third view by Grimm is held by the British Museum, and is online here, but the figures are too distant to show any detail.)
Officers are shown in scarlet coats with collar, cuffs, lapels and, unusually, turnbacks in a bright light green. Hat lace and epaulettes are silver, but gorgets are gilt. Waistcoats and breeches are white, sashes crimson and the boots have brown tops, though one figure wears stockings and shoes. Officers of the grenadier company, marching past the colours, wear coats and hats (though their men wear fur caps and jackets) and carry half pikes. The green turnbacks have at least to be queried, given that Sandby (see below) shows men of the regiment at the same date in coats with white turnbacks; on the other hand, Grimm was an eye witness, and these are not random “staffage” figures. A related engraving after Sandby by James Fittler (Anne S K Brown collection), though inaccurate in some respects, shows the officers’ silver laced hats with black feather plumes. Judging by the men’s buttons (below) those of officers would also have been in pairs.
Other Ranks
The Osborn book shows the men’s buttons in pairs with white loops. (Some other aspects of the Osborn images are generic and require confirmation.) Images of the Montagu House camp of 1780 by Grimm and Sandby provide other details. Copies of a coloured print by Paul Sandby can be found in the Royal Collection, on the Society of the Cincinnati site and in the Anne S K Brown Collection; two figures at the right represent men of the regiment. The man holding the box is identified as a corporal, and his wings indicate the grenadier company. The coats have buttons and laces in pairs, and full length skirts with white turnbacks. Off-white breeches (perhaps leather) are worn with short gaiters, and the hats have full black plumes. The facing colour here is a bluish shade, but that may be the whim of the colourist.
This is at variance with the numerous small figures in Grimm. It may be that he shows a form of second dress, and Sandby the full dress, or that Sandby’s figures are generic and inaccurate. In the Grimm drawings, jackets with facings and turnbacks in light green are universally shown, worn with breeches and short gaiters.
Sandby
Thornton's Coat of Arms
Battalion company men wear hats, apparently with white lace, grenadiers fur caps with brass or light coloured plates and apparently a red tuft, bag or tassel at the right, while the light infantry cap appears to be black with a white edge to the front and a dark feather at the right. For what it’s worth, the grenadiers in jackets may be borne out by the figure in a print of 1810 of a supporter in the coat of arms of Lieut Col Thomas Thornton, who resigned in 1795, showing a fur grenadier cap, apparently without a plume, a jacket with lapels, and breeches or pantaloons with short gaiters.
A report in the London Chronicle of 18th July 1778 from Coxheath camp, at which this regiment was present, describes a Summer or undress uniform:
The West Yorkshire regiment of militia is a most elegant and well-disciplined corps. They have a very neat white uniform, turned up with light green, which we hear was presented to them by her Majesty.
By 1780, judging by the Grimm images, undress wear was now a white single breasted jacket with red collar and cuffs. Forage caps sometimes appear white, but are also shown with a light green top and a white band or turn-up.
A pewter other ranks’ button that might belong to this embodiment, or even to the previous, is shown by Ripley and Darmanin (319); a beaded border encloses “Y / W ● R / 2” in Roman capitals. Another pewter button found at the site of Coxheath camp is inscribed “YORK” in raised Roman capitals, within what have been described as six rose petals (Ripley & Darmanin 285). Dixon Pickup states that this is not complete, the damaged outer edges having been reduced. The surviving diameter is 22 mm.
York Museums have a powder horn marked for this regiment (CA 1963), which must predate 1784, when light infantry powder horns were ordered to be discontinued. There is no online photo of it, but the museum’s description reads:
Bone powder horn with brass attachments. The piece has common, or “fast”, top. There is no evidence of a cutter or thumb piece. Below the collar is a carrying loop. The base is brass with another carrying loop set into the center. The carrying sling is attached and knotted in places, intentionally. On the base there is an engraved decoration of the Royal Crown surmounting the G.R. with YORK 2nd REGT underneath.
Drummers
The small figures leading the march past of grenadiers in one of the Grimm images may be the drummers and fifers or a small band – I honestly can’t say from the images available online. They wear fur caps, white jackets and breeches, and short gaiters. The jackets may have red collars, cuffs and turnbacks, as worn by a figure elsewhere who could represent a drummer or bandsman. Lawson’s analysis of Grimm includes a note of drummers in fur caps on parade but hats in camp, white jackets faced red with darts on the sleeves, the lace apparently with a red stripe, but I’m unable myself to make all this out in the online versions.
Colours
Hay records no issue of new colours until 1795. If so, the colours in use would have been those of 1759. Grimm’s drawing of a march past shows the King’s colour as a plain Union flag; the regimental colour is shown in the same light green as the facings, and has a Union canton and an indistinct central device. Three camp colours are visible, their ground in the same green; they hang in folds but have inscriptions in white, apparently in three lines, the upper two beginning “W …” and “Y …”, presumably for “WEST YORK”. They also appear to have spearheads, and possibly cords and tassels.
Source: The Re-illuminated School of Mars
When we think of British regiments, we think of uniformity. The clothing warrant which governed the style of the British uniforms during the American Revolution....
Studies and recreations of period uniforms and procedures often focus on general regulations, and ignore the many adaptations made to accommodate local conditions....